Category Archives: Documentary

The Last Play at Shea (2010), directed by Paul Crowder

last play at sheaIn the 1970s and beyond, Billy Joel was one of my favorite musical artists. At the start of his career, I had an opportunity to hear him in Atlanta, but I missed that chance. I finally saw him in concert at Madison Square Garden in New York in 2017; the show was one of those one-of-a-kind concerts that remains in your memory for a long time after. So it was with great anticipation that I watched The Last Play at the Shea, a 2010 documentary that recorded the 2008 Billy Joel concert that was the last concert at Shea Stadium, a huge sports venue that was scheduled for demolition the following year.

Primarily, Shea was known as the home of the New York Mets, so it was fitting that a native New Yorker like Joel was there to bid the stadium farewell. Interestingly, Paul McCartney of the Beatles makes a guest appearance at the end of the concert, which brings the history of the venue full circle. It was the Beatles who first appeared at Shea in 1965 soon after it opened; so when McCartney joins Joel for the concert finale, it poetically resonates.

The Last Play at the Shea is a blend of historical material, animation, and current footage of this landmark concert, interweaving the history of Shea, the Mets, and Billy Joel. New to me was the leadership of city planner Robert Moses, who was the engine behind the building of Shea and other city projects. In truth, Moses developed a master plan for the construction of the modern suburb in Long Island. He was ahead of his time when he began building the quintessential suburb in Queens. He comprehended that living in the city was cost prohibitive and that people would welcome the chance to work in the city but live in spacious, more affordable residences.

What impressed me were the comments of Joel as he tried to navigate his own career in a tumultuous time. He trusted people whom he regarded as friends and assumed they had his best interests at heart. Regrettably, some of these people swindled him and, at one point, he actually lost all his money. He felt compelled to tour relentlessly in order to rebuild his bank account, and this took a toll on his family life.

In spite of occasional disappointments, Joel maintains an overwhelming sense of gratitude for having the opportunity to perform before thousands who appreciate his music. His transparent sincerity endears him to his fans. He openly confesses: “If it weren’t for the Beatles, I wouldn’t do what I do.” His reuniting with Paul McCartney at the end of the film to sing the classic Beatles’ song “Let It Be” is a perfect ending to this nostalgic view of Shea, the Mets, and Billy Joel.

There is a powerful statement in The Ethics of the Fathers, by which Joel lives. The Sages say: “He who learns from his friend one chapter, one rule, one verse, even one letter, is obliged to treat him with respect.” Joel respects and appreciates the musical contributions of all who have gone before him. The Beatles were his muse, and their music changed him as well as the world. Joel understands that great rock music did not begin with him, but rather was an evolving art that expressed itself in a variety of ways over many years.

What stands out in The Last Play at the Shea is Joel’s honesty and sincere appreciation for those who helped him over the rough spots in his life. He is grateful for life, for the opportunity to do what he loves, and he is grateful to those people who inspired him along the way.

Purchase this movie from Amazon.com.

Becoming Warren Buffet (2017), directed by Peter W. Kunhardt and Brian Oates

becoming warren buffetAs I have gotten older, I have less and less interest in acquiring things. I remember that as a young man, I had a serious interest in cameras and in audio systems. I no longer possess such interests. I am guided by what the great Jewish Sages have said about how to conduct one’s life; namely, that the only thing we take with us to the after-life is our good deeds; and so I spend my time learning Torah, trying to make the world a better place through my writing both on the Internet and in books, and doing acts of kindness. This mindset made me very receptive to the inspiring documentary about Warren Buffet entitled Becoming Warren Buffet.

Warren Buffett is a billionaire, yet he does not live like one. He resides in a modest residence in Omaha where he was born and drives to work every day to his company Berkshire Hathaway, the fifth largest public company in the world. He is now 86 years old and still retains the energy and curiosity of a much younger man.

His ambition to become a millionaire began when he was a teenager. He sold papers and started to sell stocks not long after. He was very good at calculations and developed two important rules as he accumulated wealth: (1) never lose money and (2) never forget rule number 1.

Buffet was not guided by passing investment fads. He always looked for value. Ultimately, value will be recognized even if a stock at present seems not worth much. For that reason, he began his career searching for undervalued stocks that might one day be more valuable.

Most noteworthy is the fact that throughout his career he conducted himself with a deep sense of morality. If there ever were a conflict between monetary profit and retaining one’s good name, he chose to protect his good name and the integrity of his company. Here are three of his most famous quotes: (1) “We can afford to lose money – even a lot of money.  But we can’t afford to lose reputation – even a shred of reputation. We must continue to measure every act against not only what is legal but also what we would be happy to have written about on the front page of a national newspaper in an article written by an unfriendly but intelligent reporter.” (2) “As a corollary, let me know promptly if there’s any significant bad news.  I can handle bad news but I don’t like to deal with it after it has festered for a while.  A reluctance to face up immediately to bad news is what turned a problem at Salomon from one that could have easily been disposed of into one that almost caused the demise of a firm with 8,000 employees.” (3) “Lose money for the firm, and I will be understanding. Lose a shred of reputation for the firm, and I will be ruthless.’”

As the film describes his boyhood and the powerful influence of his father among many others who shaped his future, we see how Buffet arrives at a point in life when all he wants to do is leave a legacy of good things for the future. He wants to make the world a better place, and allies himself with the foundation of Bill and Melinda Gates to make his largest ever charitable gift of nearly 2.8 billion dollars.

The Ethics of the Fathers, a classic of Jewish wisdom literature, tells us there are several ways to achieve spiritual greatness, but one way supersedes all others: “Rabbi Shimon used to say: There are three crowns–the crown of Torah, the crown of priesthood and the crown of sovereignty–but the crown of a good name surmounts them all.” The crown of Torah represents Jewish learning as a way to become holy. The crown of priesthood represents getting close to holiness through Temple service and prayer. The crown of sovereignty represents occupying public office, which enables you to improve the plight of your subjects. However, the crowning achievement is maintaining a good name, which represents being able navigate life in a way that brings credit to you and to God. Becoming Warren Buffet is a testament to the wisdom and satisfaction of leading a life that inspires and benefits the world around you.

Purchase this movie from Amazon.com.

Fastball (2016), directed by Jonathan Hock

fastball-posterOne of my Torah teachers, Rabbi Aharon Rakeffet, is an avid baseball fan. He sees baseball as particularly engaging for students of Talmud. His reasons? “Because it’s slow-moving and you can think,” he said. “Every play requires you to ponder what to do. How shall I react to the reality that I see on the playing field? What play are you going to use? In other sports, it’s quick; you don’t ponder what will happen next. Things move very fast in basketball and football. But in baseball you have questions. Is the pitcher or the batter a left-hander, a right-hander, will the fielders pull the infield in, push the outfield back, give up the run, worry about the bunt, go for the double play, the squeeze, should he steal, what do you do, put him in scoring position, hit away. There’s so much involved that you have time to think. To me, if you have that Talmudic mind, it’s one of the reasons you like baseball.”

The Talmudic mind is on display in Fastball, an intellectually engaging documentary about the fastest pitch in baseball, but also a trip down memory lane visiting the baseball greats of the past. The narration by Kevin Costner focuses on the confrontation between batter and pitcher that is fraught with tension and peril. The ball is thrown upwards of 100 miles per hour toward the batter’s head. The pitcher intimidates while the batter exhibits caution, vigilance, and nerves of steel. The film considers the extent to which the speed of the ball influences the success of the pitcher and the ultimate outcome of the game.

Tracing the origins of the fastball compels one to visit the evolutionary history of baseball by interviewing celebrated players from both the past and present. Moreover, there is a scientific/mathematical analysis of the speed of the ball from the pitcher’s mound to the batter’s box, which enables the viewer to understand fully the impact of speed on the ball’s rotation.

After considering which pitcher has the best fastball, there is a vignette about a pitcher who is no longer remembered by the vast majority of fans and players even though he was reputed to have the fastest pitch. Why is this? Because even though he had the fastest pitch, he lacked consistent control of the ball. Speed alone does not make winners; only when speed is harnessed to control does winning occur.

This sensibility of balancing speed with control and mastery existed in Jewish academies of learning in the past and exists today as well. In many of these post-high school institutions of learning, there are two categories of classes. One class moves with alacrity and covers lots of Talmudic ground, but does not go deeply into the text. The second, more advanced class, moves more slowly and spends lots of time analyzing the nuances of the text. The great scholars emerge out of the second group of classes, which not only covers ground, but enables students to attain mastery of a topic. Speed alone does not produce success.

Fastball ultimately informs us that Nolan Ryan had the fastest pitch along with the most control of the ball. Interestingly, he had a long baseball career pitching for a number of teams.

It is this mindset of being both fast and controlled that contributes to success in all areas of life. When we are energetic and quick and combine that with a thoughtful demeanor, we increase our chances for success in life. In the Ethics of the Fathers, we are told to rise like a lion and be as swift as a deer, but we are also cautioned to be deliberate in judgment. Speed unfettered by reason leads to accidents. Speed buttressed by the attribute of control leads to success.

Purchase this movie from Amazon.com.

Above and Beyond (2014), directed by Roberta Grossman

above-and-beyondA “lone soldier” home is located around the corner from me. What is a “lone soldier?” He is a volunteer who serves in the Israel Defense Forces even though he has no immediate family with him or her in Israel. Reliable sources tell us there are over 6000 of them serving in the army.

What makes someone volunteer for such service? One answer is given in the stirring documentary, Above and Beyond, which tells the story of a group of World War II pilots who, in 1948, volunteered to fight for Israel in its War of Independence. They knew that Israel was about to be attacked by its Arab neighbors and that the country might not survive the onslaught of so many powerful enemies unless it had help from others. They viewed themselves as being on the cusp of history and they were determined to do whatever they could to enable the new nation to survive. This diverse band of brothers fought in key battle theatres and laid the groundwork for the Israeli Air Force.

The narrative begins with the United Nations resolution to divide Palestine and the British decision to leave, opening up the way for an Arab conquest of the land. Into that perilous situation steps a group of volunteer Jewish American former World War II pilots who help the Jews secure planes and fly them into the line of fire, preventing the Arabs from driving the Jews out of Palestine.

What gives the film authenticity is actual footage of the original aircraft and contemporary interviews with the pilots who flew them. What is remarkable is the fact that these soldiers who survived the hazards of World War II voluntarily placed their lives in danger to help the fledgling state of Israel.

Indeed, there is a rich tradition of volunteerism in Jewish history. The basic commandment “to love your neighbor as yourself” sets the tone, encouraging all people to help one another in times of crisis. The commandment relates not just to requiring the rich to assist the poor, but includes all situations where people are in need of help. In truth, the notion of helping someone can relate to lifting his spirits as well as giving him charity. Furthermore, history records that such diverse causes as Jewish schools, burial societies, providing money for impoverished newlyweds so that they can establish their own homes, self- defense organizations, health and emergency medical centers all began under volunteer auspices.

The Talmud tractate of Sanhedrin tells us: “Whoever destroys a single life is as guilty as though he had destroyed the entire world; and whoever rescues a single life earns as much merit as though he had rescued the entire world.” This mindset energizes the American pilots who want to prevent another Holocaust. They view their rescue mission as an opportunity to make a difference in the historic destiny of the Jewish people. For them, to save one life is to save the world.

Moreover, the Ethics of the Fathers states: “If I am only for myself, what kind of person am I?” The pilots are idealistic, unselfish, and willing to take risks. This combination enables these men to defy logic and convention, to try the impossible and sometimes achieve it.

Above and Beyond provides a window into a little known but important part of Israel’s history. It informs us that most volunteers are motivated by wanting to do the right thing, not by visions of being recognized publicly or getting financial benefit. It is gratifying to watch ordinary people rise to the occasion and make mighty contributions to the Jewish people that ripple into the future. Above and Beyond reminds us that heroes are often ordinary people meeting extraordinary challenges.

Purchase this movie from Amazon.com.

Glen Campbell: I’ll Be Me (2014), directed by James Keach

glen-campbell-ill-be-meA couple of years ago, a friend of mine was diagnosed with Alzheimer’s Disease. I did not see him often, so it was unnerving for me to see him so helpless and confused when I finally visited him. Once a robust, intelligent, and expressive man, he was a shadow of his former self, needing almost 24- hour care. Now his family only had memories of the great man he once was.

I was surprised when I heard about the documentary recounting the life of musical icon Glen Campbell. Titled Glen Campbell: I’ll Be Me, the film deals primarily with his Alzheimer’s diagnosis and the subsequent 151-farewell tour show upon which he embarked both to celebrate his music and to share his experience of dealing with Alzheimer’s.

Over the span of his career, Glen Campbell created a large catalog of hit songs including “Rhinestone Cowboy, “ Wichita Lineman,” and “Gentle on My Mind.” He began as a country music star and was the first to crossover into contemporary popular music. In this sense, he opened to door to thousands of country musicians who, until that point in time, played music exclusively for country music fans.

Campbell was diagnosed with Alzheimer’s in 2011. Together with his wife Kim, they decided to go public with the diagnosis and begin a “Goodbye Tour” that was initially supposed to be for three weeks. However, due to strong emotional support and appreciative audience reactions, they continued with a nationwide tour that lasted for 151 shows.

The film begins in the doctor’s office with the diagnosis and it is fascinating to observe the physician’s questions as well as Campbell’s responses. His answers reveal that his memory is becoming more selective about what information it retains. For example, Campbell may not remember who was the first president of the United States because he thinks this is not useful information. However, he remembers song lyrics and how to play the guitar because these things still matter to him.

As the tour progresses, the quality of his performance declines, but his myriad fans do not seem to mind. They consider themselves fortunate to be present at what will probably be one of his final concerts. Throughout the tour, his family and small cadre of musicians, some of whom are family members, give Campbell support and love no matter the outcome of a particular performance. His children feel blessed to spend this time with their Dad.

Near the end of the tour, the question is asked why Campbell agreed to do the tour. The answer: he genuinely wanted to perform again and his family felt that his performance would give more media attention to Alzheimer’s, a disease afflicting so many Americans, and, by extension, to their caregivers whose lives are dramatically changed when they take care of loved one who may not even remember their names or who they are.

Jewish tradition emphasizes the dignity of man. We all are created in God’s image and are deserving of respect no matter our physical or mental condition. The image of God can still exist in a body damaged by disease or in a mind damaged by mental illness. Alzheimer’s does not define our value from the aspect of eternity.

One of the most touching moments in the film occurs when Campbell sings “A Better Place, “ a song that expresses his hopeful spirit in the midst of his mental decline. Here are the lyrics that resonate: “Some days I’m so confused. Lord/ My past gets in my way/ I need the ones I love, Lord/ More and more each day/ One thing I know/ The world’s been good to me/ A better place awaits, you’ll see.”

Glen Campbell: I’ll be Me is a one-of-of-a-kind movie, a film that reminds us of the fragility of life. What life is like today may not be what it is tomorrow. This is a life lesson that relates not only to those afflicted with debilitating disease, but to all of us making life’s journey.

Purchase this movie from Amazon.com.

Becoming Bulletproof (2014), directed by Michael Barnett

becoming bulletproofMy sister Carol, of blessed memory, was six years older than me. She had Down’s syndrome, and as a kid I vividly remember going with Carol and my mother to Teen Town, a Thursday night social get-together where developmentally disabled teenagers could mingle socially, form friendships, and plan outings together. It was there that Carol met Sam Berniger, who also had Down’s syndrome.

Carol and Sam were an item in those days, often flirting with one another. At first it was strange to observe because I viewed my own sister as disabled in some way and not capable of romantic relationships. However, after witnessing Carol and Sam’s obvious affection for one another, I realized they were no different from other teens I knew. They wanted human connection. They wanted to feel love and affection, and that desire is common to all people, not just the developmentally disabled.

I thought of their romance as I watched Becoming Bulletproof, an arresting documentary about a cohort of disabled people from all over the United States, who come together once a year to make a movie.

Some background information is in order. Zeno Mountain Farms has an annual project of making a film using people with disabilities of all kinds as actors. Although their disabilities are wide-ranging, the young men and women come together in the service of art, making a movie that somehow transcends the limitations of their disabilities.

The project takes place in their summer camp program, and this year the project is to produce a short western movie by the camp’s residents. Period costumes are used, some paid for and some donated. The key scene is the confrontation between the hero and the villain in a shootout on a deserted street. The entire cast serves as bystanders to the imminent bloodshed. The camera pans over the worried faces of people in the crowd and then focuses on the guns in the holsters of the antagonists, who are about to draw their weapons against one another. It is a scene reminiscent of many classic western movies.

Working with the campers are people without disabilities who relate to the disabled as normal human beings. They see the disabled as significant others; and by doing so, they discover their common humanity, and forget about the disabled label. Watching the residents learn their lines and act their respective parts is both very heart wrenching and inspiring. What is especially noteworthy is how the staff relates to the residents as regular friends and family, even though the disabilities that distinguish them are glaringly evident.

Although there is an implicit message embedded in the movie, the movie is not preachy. The message: the disabled want to be recognized as people of value, who have an independent identity, who want to be taken seriously. This harks back to the Biblical notion that we are all created in God’s image; therefore, we all have infinite value regardless of our physical disabilities.

Jewish law recommends treating the disabled as regular members of the community as much as is humanly possible considering the idiosyncratic nature of each disability. As a synagogue rabbi, I recall vividly a father who painstakingly taught his developmentally disabled son how to recite the Torah portion for his Bar Mitzvah. In the father’s eyes, it was very important that his child experience the same rite of passage as other young men.

Becoming Bulletproof is testimony to the fact that the disabled are part of the human family, and want to be treated as such. Stigmatizing someone as disabled may be a necessity in the world of therapeutics, but labels should not define a person in the world of human discourse.

 

 

More Than a Game (2008) directed by Kristopher Belman

more than a game posterOne of my fond childhood memories is going to the local JCC every week to play basketball. Sunday was game day and one day during the week we would go the “J” to practice, which ended with “dessert.” “Dessert” was lining up on the right of the basket, then on left, then in the center and the coach would feed us the ball and expect us to make the lay-up on each side of the basket. If we missed a lay-up, we would have to go down to the locker room, so we all tried to be the last man standing.

It was an enjoyable but competitive way to end the practice session, and we all looked forward to it. I still remember the sweet smell of the gym and the sweat that were part of the experience of playing b-ball with my good buddies at the time.

So it was with a great sense of familiarity and recognition that I watched More Than a Game, much of which takes place on the basketball court and in the locker room. It is the inspiring story of the high school basketball team of Lebron James that went on to win the national championships. Much of the footage is of the actual games that were played, but just as mesmerizing is the camaraderie of the players, and the coaching comments of Dru Joyce, an unlikely high school basketball coach who viewed football as his primary sport.

Dru became highly interested in basketball because of his son, Dru Jr., who, although 4’11,” was enamored with the game. His father, recognizing his son’s’ passion for basketball, decided to coach a youth league team that included many talented players including Lebron James. When the boys went to high school, they enrolled as a group in St. Vincent-St. Mary’s High School in Akron, Ohio, largely because of its coach who they credit with improving their skills and their game. Disappointment, however, reigned when the coach accepted a college coaching position. It was then that Dru Joyce became their high school coach.

In one of his first speeches to his team, he reminds his boys that, in the final analysis, basketball is not the be-all and end-all of life. What is more important are the life lessons learned in the game. They learn the value of teamwork, of working together towards a common goal for the good of all. They learn about stepping up with extra effort when their star player is not with them, of not making excuses but confronting adversity head-on and triumphing over it. They learn to appreciate the value of the contribution of every individual player. In a clutch game, it is not Lebron who comes to the rescue but Dru Jr. at 4’11,” who makes seven 3-pointers in a row to drive the team to victory.

There is a notion in Jewish tradition of a rebbe, a teacher who transmits not only information, but who also functions as a mentor and life coach to his students. Students view him as a role model and learn by observing him both in class and out of class. The rebbe is the paradigm for the ideal Jewish teacher.

What emerges from viewing More Than a Game is how much Coach Joyce functions as a rebbe and father figure to the team, some of whom come from broken homes and single-parent families. He is the rock providing emotional stability and security to boys whose home life is in disarray. For them the basketball court becomes a sanctuary. It is a place where the world with all its everyday challenges and disappointments can be put in the recesses of one’s mind as one concentrates on getting the ball into the net. Like the quintessential Torah teacher, Coach Joyce not only transmits data but also gives his students an approach to successful living that transcends the basketball court.

Coach Joyce acknowledges that there are times when he gets caught up in the superficial things, in the winning and the losing. But, in a sobering moment, he realizes that his mission is not only to win games, but to enable young boys to become men. He is their rebbe, the instrument of their growth as complete and successful human beings.

Purchase this movie from Amazon.com.

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