The Confirmation (2016), directed by Bob Nelson

confirmationOne of the important lessons I learned over my long career in education is that kids are works in progress. If a student seems like a loser in high school, that does not mean he will always be a loser. I have witnessed many a student who has undergone a metamorphosis academically and spiritually. In high school, they were incorrigible; as adults they were exemplary human beings. I recall one student in particular, Daniel, who gave me grief every day he came to school, yet I controlled my response to his negative behavior and never said anything to him I regretted. Many years later, I received a phone call from Daniel apologizing for his confrontational behavior in high school. He then gave the school a sizable donation.

Watching The Confirmation, a coming of age story about Anthony, an eight-year-old child of divorce, reminded me of the truth of my experience as a teacher and principal. Anthony is a very sweet boy and he is clearly a work in progress. His father, Walt, and mother, Bonnie, are good people, but each has a different vision of what kind of adult Anthony should be. His mother encourages him to go to church. His father does not oppose this, but he tells his son that being a devout Christian is not necessarily a sure bet to get into Heaven. Maybe what the Church tells him is right and maybe it is not. He can listen to all points of view as a child, but when he grows into adulthood, he will have the freedom to decide for himself what path to follow.

The opportunity for the extended discussion between father and son occurs when Bonnie departs for a Christian Couples Retreat with her new husband, Kyle. She leaves Anthony in the care of his father, warning him that if he imbibes alcohol, he will lose visitation rights to Anthony. Walt, in truth, is in recovery for his alcoholic problem, but a series of unfortunate events test him emotionally. First, his car breaks down, then he receives an eviction notice from his landlord, and finally someone steals his carpentry tools, which he needs for an upcoming job.

Spending the day together with his father, who is challenged by so many problems, gives Anthony a window into the complexity of adult life. He begins to realize how complicated decision-making can be when, instead of seeing situations only in black and white, the predominant color of real life is grey.

There are two confession scenes that bookend the story. At the beginning, Anthony, at the request of this mother, goes to the priest to make confession. When the priest asks him to enumerate his sins, Anthony cannot name any. Even when the priest prompts him by asking if he was disrespectful to his parents or had impure thoughts, Anthony, in his innocent state, can recall nothing.

Near the end of the film, one day after spending a day with his father, he returns to the confessional booth with a very different narrative. In truth, Anthony is the same innocent boy, but now he has a better understanding of the complexity of life after seeing what his father’s life is like. For example, Anthony knows that sometimes lying is acceptable if it preserves peace in the home.

The Talmud’s style of discourse is to record different opinions, not merely to recite Jewish law. Having studied it for many years, I am continually amazed at its intellectual rigor and honesty. Rarely is a topic seen solely in black and white terms. One line of reasoning is presented; then another rabbi disagrees and expresses doubt about the conclusions reached by the previous sage. A final opinion is offered, but only after much analysis and give and take argument. Anthony in The Confirmation, after seeing the challenges his father faces and the strange assortment of characters he meets, emerges as a wiser young man who, in all likelihood, will mature into a wise and competent adult able to evaluate life in all its complexity.

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