Jaws (1975), directed by Steven Spielberg

jawsA number of years ago, drugs were discovered in the locker of a student in our high school. The school had a zero tolerance policy, which mandated immediate expulsion for the offending student. The parents appealed for a second chance, arguing that their child would be lost Jewishly if she were to leave a Jewish day school. I understood what was at stake, but I could not sacrifice the wellbeing of the many for the good of one.

It was a painful decision. I tried to be very helpful in finding another school for the student, but it was clear to me that the parents in the school wanted their kids to be in a safe environment above all, and I could not equivocate on this issue. The good of the many had to prevail over the good of the one.

A similar dilemma presents itself in Jaws, the classic film about a killer shark that invades Amity Island, a New England tourist town that depends on vacationer dollars during the summer season. When a body is washed up on shore, Martin Brody, the local police chief, knows that it was the victim of a shark attack and wants to close the beaches. The mayor, however, fearing a major loss of tourist revenue, does not want the beaches closed and prevails on the authorities to list the fatality as a result of a boating accident. For the mayor, the good of the few, the local businessmen, outweighs the good of the many. It is not until two more people are killed does the mayor acknowledge the real threat of the shark.

Once the beaches are closed, Brody hires Quint, a local fisherman with experience killing sharks, to hunt the shark. Matt Hooper, a scientist from the Oceanographic Institute, joins the crew, bringing along an array of high-tech equipment including tracking devices, harpoons, scuba gear and tanks, and a supposed shark-proof steel cage.

Once out in the open waters in Quint’s vessel, the Orca, they lure the shark by tossing fish guts and blood around the boat. Eventually this attracts the great white shark. Quint harpoons it with a rope attached to a flotation barrel, but the shark pulls the barrel under the water and disappears under the boat, displaying an uncanny intelligence, which separates it from other sharks that Quint has hunted. There is an eerie suggestion that the shark knows the intention of the Orca’s crew and is determined to destroy them. A hair-raising finale ensues pitting brute force against skill, technology, and courage.

The debate between Martin Brody and the mayor about when to publicize the shark attack relates to the larger philosophic question of when to reveal potentially life-threatening information, a matter discussed in the codes of Jewish law. Generally, the determining factor is whether health and safety are at stake. If the information is needed to preserve life, then clearly it must be revealed immediately. If, however, the revealing of such information will possibly lead to the shortening of life, then it should be withheld. The classic example is the doctor telling a depressed patient that he has only a very brief time to live, and thus increasing his sense of despondency and decreasing his will to live.

In Jaws, the mayor has no such reasons to avoid telling the truth other than an economic one. In order to insure that the townspeople make great profits during the tourist season, he puts lives as risk. Such a financial motive is no justification for falsehoods. Jaws, indeed, is a cautionary tale about the folly of placing monetary gain over the absolute good of saving lives.

Purchase this movie from Amazon.com.

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