Category Archives: Romance

Say Anything (1989), directed by Cameron Crowe

say anything posterA female physician, who married a number of years ago, recently introduced me to her husband. I expected to meet a college grad in some white collar job, but I did not. Instead, I met a very sweet guy who worked as an auto mechanic in a local service station. I wondered what prompted each one to connect with each other, but soon realized that just because two people have similar educational backgrounds does not mean they are compatible intellectually and emotionally. Sometimes, opposites do attract. That is at the core of Say Anything, a teen romance between a class valedictorian and an affable young man who has no idea of what he wants to do with his life.

Lloyd Dobler, an average student who envisions kickboxing as a possible career, one day decides to date the brilliant Diane Court immediately after they graduate from high school before she leaves for college. Say Anything follows their relationship as it waxes and wanes through the prism of teenage angst.

It is 1988 and Diane is practicing her valedictorian speech. Although the talk is humorless, Lloyd still wants to date her, and so he asks her to come with him to a graduation party. Surprisingly, she accepts even though she has little idea of who Lloyd is. When she attends, she has a great time and feels more integrated into the world of other teenagers, who are more socially adept than she.

Diane continues to date Lloyd and they both enjoy one another’s company. When Diane learns that she has won a prestigious scholarship in England, Lloyd wants to come with her, much to the chagrin of Diane’s father. Plot complications ensue as she and Lloyd travel their rocky road to love in spite of their disparate backgrounds.

Jewish tradition is very clear on who has the final say when it comes to compatibility between couples. They are encouraged to consult with parents and trusted friends, but the final decision is the couple’s. The Babylonian Talmud tractate of Kiddushin (41a) records that “it is forbidden for a man to marry off his daughter when she is young, until she is older and says, “He is the one I wish to marry.” Moreover, even arranged marriages were never forced.  The consent of a Jewish young man and woman was required as a pre-condition for the match. Furthermore, the Biblical story of Isaac and Rebecca indicates that their wedding was not considered a done deal until Rebecca had given her consent. As the Torah says, “Let us call the maiden and ask her (Genesis 24:57).”

This principle of mutual consent was later made part of Jewish law. The great medieval sage Maimonides in his code of Jewish law, the Mishna Torah, declares that “a woman cannot be married unless she consents to the match of her own free will.” The Talmud thoughtfully mentions the following precautions before marrying: buy land quickly but be deliberate in finding a wife, don’t betroth a woman you have not seen, find a woman close in age to you, and do not marry for money.

Lloyd Dobler is very deliberate in his quest for Diane’s affection. He is not interested in money. He likes her looks but also admires her braininess and her good character. That is what sets Diane apart from other girls. She is a thinker who both examines and experiences life. This is what brings them together in spite of their different social and educational histories. The fact that they can be honest with each other and “say anything” makes their relationship special. Both Lloyd and Diane are without pretense and that paves the way for an enduring relationship.

Purchase this movie from Amazon.com.

 

Hope Springs (2012), directed by David Frankel

hope springs posterI recall that, as a teenager, I felt ready to get married at age 14. The hormones were operating at a high level and dating in my own mind was serious. Fortunately, I did not act on impulse and I matured, realizing that marriage was a serious and sacred enterprise that required a commitment of soul, not just bodies.

Now that I have entered the ranks of senior citizens, I understand better that love within marriage grows in many ways: physical, emotional, and spiritual. Marriage counselors of all stripes advise couples to work at marriage even in the senior years to keep it fresh and alive. That essentially is the narrative arc of Hope Springs, a thoughtful film about seniors dealing with a changing relationship that needs an infusion of passion at all levels to prevent the marriage from atrophy.

Empty nesters Kay and Arnold Soames, after 31 years of marriage, have fallen into a rut. Their marriage is devoid of passion and even simple connection. They sleep in separate bedrooms and their conversation is perfunctory. On one fateful day, Kay buys a book about how to keep a marriage fresh written by Dr. Bernie Feld, who runs a marriage counseling center in a remote coastal town in Maine. Kay signs up for a week-long therapy session and Arnold reluctantly goes. So begins an engaging account of Arnold and Kay’s attempt to rekindle the love that once was and seems to be no more.

The therapy involves Dr. Feld asking many candid questions about Kay and Arnold’s views of marital intimacy and how they feel about one another now. Touching one another for extended periods of time is the first exercise by Dr. Feld, and things progress from there to greater intimacy in all manifestations.

Kay and Arnold make progress and then return to Omaha, their home. At first, things begin to unravel, but when Kay and Arnold realize how much is at stake for both of them at this time of their lives, they recommit to working at their marriage. The two gifted actors who play Kay and Arnold, Meryl Streep and Tommy Lee Jones, enable the film to achieve a depth and honesty that is extraordinary and separate this film from others that also deal with an aging husband and wife adjusting to their changing minds and bodies.

The Sages of old tell us that although the primary purpose of marriage is to have children, intimacy within marriage is considered good even after a couple has children because it fortifies the marriage bond. The human touch is critical at all stages of marriage. It is interesting to note that during the childbearing years, traditional Judaism requires husband and wife to observe a separation during the wife’s menses and for seven days afterward. Practically speaking, this means that intimacy does not occur for approximately 12 days per month. After menopause, husband and wife can be intimate with one another all the time, as if to teach us that more touching is needed as one gets older so that one continues to feel desired.

Hope Springs reminds us that love springs eternal only if we work at it. Keeping busy with the technological conveniences of modern life, with cell phones, with computers, with surfing the internet allows us the freedom to communicate with the world; but the most important communication, suggest our Sages, is on the home front where we need to prioritize our communication efforts. A perfunctory kiss in the morning and a quick “I love you” is not enough. True love takes time to nurture and grow, but it can bring great rewards. Happily, Kay and Arnold make the investment that can save their future.

Purchase this movie from Amazon.com.

We Bought a Zoo (2011), directed by Cameron Crowe

we bought a zoo posterCoping with loss is complicated. When I lost my wife in 1989, my world fell apart. I could not understand it then nor can I can understand it now. How God in His wisdom could end the life of such a beautiful soul was totally beyond my ken. Yet this is what happened and that is what my family had to deal with. It was extremely helpful to have my children present to support me and for me to support them in this time of darkness. To a large degree, the love between the surviving spouse and the children helps one to deal with the overwhelming sadness.

I was reminded of this complicated adjustment period as I watched We Bought a Zoo, an emotionally rich film about Benjamin Mee, a widower still mourning the death of his wife. Emotionally exhausted with managing his kids and dealing with school discipline issues with his 14-year-old son Dylan, he decides to begin his life again by purchasing a new home in a rural area. But there is one problem. The house comes with a zoo, and the person who buys the house also has to accept responsibility for the zoo. Ben’s brother counsels him against the purchase, but Ben disregards his advice and buys it anyway when he sees how much Rosie, his 7-year-old daughter, is infatuated with the idea of owning a zoo and playing with the animals.

Together with Kelly Foster, the attractive and sensitive head of the zoo staff, they start renovating the zoo with the goal of opening it to the public. The task is monumental and requires strict compliance with the law to pass an inspection from the authorities. Expenses mount and the project is in danger of failing, but they find creative solutions.

Ben and his son Dylan are not on the same page with regard to the zoo enterprise, and eventually a heated argument between the two crystallizes the different perspectives of spouse and child on how each responds to loss. The father wants to survive emotionally and be a good parent, but he realizes he needs the support of his older son to help rear his young daughter. He cannot do it alone.

When Ben, in frustration, yells at Dylan, Dylan asks why he is yelling at him. Ben responds: “Because I’m your father and I’m the only one you’ve got! And the line of people in this world who really care about you ends here! So stop moping around this place, man! Do something! You just sit here and feel sorry for yourself, man! Help me with your sister! Help me, damn it!” When Dylan starts crying, his dad tearfully says: “I’m sorry that your mother got sick when she did. Believe me. I’m sorry that you didn’t get more of a childhood, man. That’s just how that one went. But we live here with a seven-year-old girl who still believes in the Easter Bunny. What are we gonna do?” At that moment, Dylan sees the pain and frustration of this father, and there is reconciliation.

Jewish tradition provides a pattern for dealing with loss. The mourning period is divided into three stages. The most intense time is the seven-day period after death, when friends and family visit to comfort the mourner. The second stage is the first thirty days after the death when the family begins to integrate the loss and function normally while still under the shadow of tragedy. The third stage is a year after the death when the anniversary of the loved one’s passing is marked by the lighting of candles and the recital of prayers in the synagogue.

Every year after that, there is a yearly ritual marking the anniversary of the day of death when candles are lit, prayers are said, and the person is remembered. The end goal is not to forget the loved one. The goal is to move on with life, but at the same time to treasure the memory.

This grief cycle is reflected in the final scene of We Bought a Zoo. Ben brings his children to the restaurant where he first met his wife and shares with his kids his first encounter with her. It is a tender and happy moment, which reminds us that dealing with loss does not mean forgetting; rather it means integrating the memory into our minds and hearts so that the loved one who is gone is still with us to comfort us and to inspire us.

Purchase this movie on Amazon.com.

Friendly Persuasion (1956), directed by William Wyler

friendly persuation posterIn my career as a synagogue rabbi and day school principal, I have encountered people who hold extremist views. In my first years in the rabbinate, I myself tended to view community conflicts as issues that could be addressed either as right or wrong. There was no middle ground. As I got older and wiser, I saw that there was lots of grey and it was silly of me to see things only in stark black and white terms. I remember hearing Rabbi Norman Lamm, President of Yeshiva University, give a talk on what he called “radical moderation.” In an age of increased religious polarization, it was refreshing to hear a more balanced and nuanced approach to a problem. Now that I am living in Israel, a beautiful land filled with extreme ideologies of all sorts, Rabbi Lamm’s words resonate even more.

I was reminded of this as I watched Friendly Persuasion, a story of a Quaker family whose belief in non-violence is tested during the American Civil War. Jess Birdwell, the patriarch of the family, is interested in worldly things even though he basically subscribes to Quaker simplicity and pacifism. His wife, Eliza, frowns upon any expression of materialism, but becomes more understanding of her husband’s perspective on life. For example, she at first is totally opposed to her husband purchasing an organ for the home; but after a conversation with him, agrees to have it in the attic as long as it is not played when company is around. It is this kind of practical family accommodation that typifies the Birdwell family, a family that has strong core beliefs but one which makes compromises in the woof and warp of daily life.

Against this background of a contemplative and at times humorous Quaker life, there is a war raging, and it affects the Birdwell household. Jess and his oldest son Josh are recruited to fight against the Confederates, but they both decline because of principle. They are categorically against killing. However, when a band of marauders is about to lay waste to their home and possibly kill their family, they are compelled to rethink the verities upon which their life is based.

The movie depicts various responses to their moral crisis. One family member sticks to his belief in non-violence no matter what. Another chooses the path of violence with limitations. Another decides that killing is sometimes justified when home and hearth are threatened. It is a painful decision for him; and while pulling the trigger, he weeps for the loss of life he is causing. The characters all maintain their core beliefs but their actions indicate a personal vision of what is required in the face of real life challenges. There are no simple answers.

Judaism believes that once there is agreement and commitment to basic principles, then we are free to shape our own individual spiritual destinies. Not everyone has to observe the law in exactly the same way as long as we accept the divinity and integrity of that revelation at Sinai. In a sense, this is what we see in Friendly Persuasion. The Quakers agree on fundamental principles, but as individuals make nuanced decisions as they encounter varied life experiences.

A similar approach is found recorded by King Solomon in the Book of Ecclesiastes. Here he writes that “wisdom is better than weapons.” War in Jewish tradition is always viewed as a last resort after other solutions to a threat are exhausted. However, when the threat persists, Judaism permits battle. It is this complex approach that reflects real-life decision-making, which is at the heart of Friendly Persuasion.

 Purchase this movie on Amazon.com.

Forever Young (1992), directed by Steve Miner

forever young posterFailure to make decisions is a decision itself. Let me share a silly story from my early childhood. My mother took me to see a Bob Hope comedy. Near the beginning of the movie, I asked if I could go out and buy some candy, and my mother said yes. I had trouble making up my mind and when I returned to the movie, I found that it was at the same scene when I exited. I was gone for over an hour and I missed the entire movie.

Indecision is the catalyst of what transpires in Forever Young, a romance with a science-fiction twist. Daniel McCormick, an air force test pilot, has trouble making up his mind. He wants to ask his girlfriend, Helen, to marry him; but he cannot summon the courage to pop the question. While he debates within himself, fate intervenes and Daniel loses the opportunity to ask Helen to be his wife. His indecision is fatal. He misses his entire life with Helen.

Daniel’s story begins in 1939 when he is courting his beloved Helen. After a brief encounter at a local diner, Helen is involved in an accident, which leaves her in a long-lasting coma. The doctors think she will never recover; so after six months, Daniel volunteers for a cryonic freezing experiment in which he will be placed in suspended animation for a year. Thus, he will be spared the pain of witnessing Helen’s death.

He wakes up 53 years later to a new world with voice mail and planes that he only dreamt about many years earlier. Daniel attempts to find his old friend, Finley, who initiated the freezing experiment. He learns that he has died, but his daughter gives Daniel her father’s journals, which detail her father’s experiment and indicate that, once unfrozen, the aging process will kick in at an accelerated rate.

Things get tense when Daniel sees his body aging quickly and, at the same time, discovers that Helen is still alive. It is a race against time to find her before he succumbs to his inexorable aging process. Love, however, conquers all in this romantic fantasy, and it is gratifying to watch what transpires when Daniel and Helen, lovers from their youth, now reunite as seniors recognizing the deep soul connection that bound them together so many years ago.

As a teenager, I once heard a joke that kept me laughing for many days afterward. Here’s the joke: a man asked someone if he was a man of decision. The answer: “Well, yes and no.” The assumption behind the punch line was that while people outwardly want to be decisive, inwardly they often equivocate and don’t make up their minds.

Judaism discourages indecision. The rabbis of the Talmud grow to great lengths to get clarity, to pursue truth, to find the answers to difficult questions. They encourage clear decision-making, and often devise a calculus to arrive at a decision. For example, when faced with questions of Torah law, the Sages instruct us to choose the more stringent path; when faced with questions of Rabbinic law, they instruct us to take the more lenient position. To remain in a state of doubt when decisions need to be made is fraught with peril, for doubt will surely lead to inaction, equivocation, bad life choices, and a host of missed opportunities in life.

If one is still unsure about what decision to make, our Sages recommend speaking to someone older and wiser and getting his perspective on a situation. Judaism accepts the notion of a hierarchy of intellect and holiness. Once you identify the holy man of wisdom who represents the values in which you believe, you then ask him your query. Whatever the answer, you can feel confident that you are making the best decision possible since you have consulted the best and the brightest of men.

Forever Young is a stark reminder of the negative consequences of not being able to make a decision, and encourages us make the most of time we are allotted on this earth.

 Purchase this movie from Amazon.com.

 

Ruby Sparks (2012), directed by Jonathan Dayton and Valerie Faris

ruuby sparks imageI know some single men who are very self-absorbed. They are successful professionals but cannot seem to take their female relationships to the next level: marriage. They see the world through their own eyes and the older they get, the more rigid they become, increasingly unwilling to understand that women also have needs, which do not always revolve around men. For example, a 50 year-old friend has finally decided to get married because he wants children. He assumes that a 35 year old woman will want to marry him and have kids. He does not comprehend that a 35 year old woman generally is not interested in a 50 year old guy, yet he persists in his quest to find a young bride.

I thought of this unrealistic mindset of my friend as I watched Ruby Sparks, a clever, funny, profanity-laden, and very insightful film about relationships in which the male partner always sees things from his perspective and fails to understand the needs of significant others in his life.

Calvin Weir-Fields, a young J.D. Salinger, has writer’s block after his first wildly successful novel. Visits to his therapist are helpful, but his inability to write persists, until something amazing happens. A girl, about whom he has been dreaming, becomes a real person and he falls in love with her. Improbable as it may seem, they date, dance together, and get to know one another as lovers and friends.

The conceit that informs the movie is that Calvin can control Ruby by writing about her. She is both real and a figment of his imagination. It takes a while for him to process this conundrum, but he does when other real people such as his brother and his parents are able to actually see her and talk to her. There is no rational explanation for what happens, but the film manages to say some wise things about relationships between men and women.

Consider these interchanges in the story. When Calvin, a loner, confides to Ruby that she is all he needs, Ruby responds “That’s a lot of pressure.” When Calvin feels depressed after Ruby leaves him for short time, he retires to his study and types that Ruby is miserable.  Sure enough, she immediately phones to tell him how much she misses him. When Ruby desires to stay close to Calvin and physically cling to him, barely allowing him to breathe, Calvin again goes to his typewriter and types that Ruby is “filled with effervescent joy.” This makes Ruby perpetually bubbly and unresponsive to the nuances in Calvin’s behavior.

The relationship reaches a dramatic crescendo when Calvin exerts his power to control Ruby in an almost diabolical way, mercilessly informing her of his power to control her. It is an extraordinary scene pitting the controlling male against the defenseless female. How this problem is ultimately resolved is the stuff of fancy, but along the way we glean wisdom about what the relationship of a man and woman should be.

Jewish tradition has much to say about the relationship between men and woman. Every Friday night, the traditional Jew sings an ode to the “woman of valor” described in King Solomon’s Book of Proverbs. She is independent, wise, and the key to passing down tradition to her children. In a Talmud class, a student once asked the teacher: “How can I get my wife to treat me as a king?” The answer from the teacher: “Treat your wife like a queen and she will treat you as a king.” The answer reveals the mutual respect that husband and wife should have towards one another. The issue is not one of control. Rather the relationship should be characterized by each partner giving to the other. The goal of marriage is not to control or change the other; rather it is to lovingly accept the divinity within each other so that there will be mutual respect for one another’s uniqueness.

Purchase this movie from Amazon.com.

Fill the Void (2012), directed by Rama Burshtein

fill the void posterAs a young teenager who went to public school, romance to me was an emotional and physical response to a pretty girl. I did not think much about the mental component of a relationship. The ideal date in my juvenile mind was to go see a great movie, then to an ice cream parlor where we would talk about “things we had in common,” and end the evening with a goodnight kiss. The kiss was a sure indicator that she liked me and that I could call her again. If someone had asked me what were the “things we had in common,” I would have been hard pressed to articulate a coherent answer.

As I evolved in my religious growth, I began to realize how shallow was my high school understanding of romance and love. I remember how my inner light bulb turned on when I was studying Isaac’s courtship of Rebecca as described in the Bible, which focused on finding a kind girl of good character. Achieving a romantic epiphany of love came only after marriage, as the Bible states “Isaac brought her into his mother’s tent, and he took Rebecca and she became his wife, and then he loved her.”

Fill the Void is a love story but without the heat of a physical relationship. Shira Mendelman, an 18-year-old religious girl living in Tel Aviv, is looking forward to an arranged marriage with a young man to whom she is attracted. However, tragedy strikes when Shira’s older sister Esther  dies in childbirth, leaving a son, Mordechai, who is tended to by Shira in the aftermath of this family crisis.

When Yochai, Esther’s husband, is approached to marry a girl from Belgium, Shira’s mother suggests that he marry Shira instead. This will allow the baby to remain close to her grandmother and provide the best situation for the child. Yochai and Shira first reject the suggestion, but as time goes on they begin to consider the possibility.

Obstacles intervene and the possible match is terminated when the family rabbi senses that Shira is not emotionally committed to Yochai. The rabbi will not bless the match unless Shira genuinely  desires it. Shira, in truth, has free choice and does not have to marry someone unless she wants to. The resolution of this dilemma provides a window into a world where physical love is real, but is only one facet of a complicated life decision.

The Orthodox world in which Shira lives is bound by many rules. Yet within that world, there is room for free choice and for the manifestation of love before marriage albeit without physical expression. This love, however, is no less potent. Shira is a sensitive soul who weighs the wishes of her mother, the needs of her deceased sister’s child,  and her own desire to determine her own destiny as she navigates the complex emotional landscape in front of her. Her needs are important, but they are not the only needs to consider. Her decision-making process is very mature and thoughtful.

Judaism values physical love between husband and wife. It is a rock upon which true love is built and nurtured after matrimony. But there is no Tristan and Isolde narrative in Jewish tradition. Indeed, Judaism views with suspicion the undisciplined sexual drive. However, there are many Jewish sources that extol the power of physical love, most notably the Song of Songs written by King David which, in graphic terms, describes the passion of two lovers as they manage a tumultuous relationship. Moreover, the Hebrew term for sexual intimacy in marriage is yadah, to know. Adam knew Eve says the Bible, because intimacy implies a profound knowledge of one’s spouse both emotionally and intellectually.

Reason does and should inform the heart. Fill the Void reminds us that love is more than a physical encounter, but one that involves the mind and heart as well.

Purchase this movie from Amazon.com.

Silver Linings Playbook (2012), directed by David O. Russell

silver linings playbookBeing a father has been and is one of the greatest gifts that I have been granted. Being called Abba/Dad/Father is more important and more gratifying than any other title I could possess. The appellation connects me with the cosmos, making me a messenger of past generations and a messenger of the future through my children.

Fatherhood is not simple. It presents challenges. As I have gotten older, I realize that I have been a different father for each of my kids. Proverbs tells us that we should raise a child according to his uniqueness, and I have tried to be nuanced in using my parenting tool box. It is not a cookie cutter activity, reflecting the reality that just as I have evolved as a human being throughout the years, my children also have evolved from childhood to adulthood, and they are still works in progress.

Jewish tradition tells me that I am my child’s primary teacher, although I can delegate that responsibility to teachers and schools. But the buck stops with me. Which is why parenting can be both joyous and stressful. Having acquired a plethora of life experiences, I want to share them with my children and save them from making mistakes. The reality is, however, that kids often want to test the waters themselves. When a parent wants to be prescriptive, kids may see that as meddlesome, implicitly suggesting that the child cannot make the right call on his own.

This complex father-son relationship is depicted in Silver Linings Playbook, a profanity-laced but genuine look at a family dynamic under stress. The films opens as Pat Solitano, who has bipolar disorder, is released from a mental health facility into the care of his parents. His wife, Nikki , has gone to the courts to have a restraining order placed on Pat because of his proclivity to violence. His father, Pat Sr., has lost his job and now wants to open a restaurant from his earnings as a bookmaker. In spite of this climate of negativity, Pat is determined to reconcile with his wife and find employment, always looking at things positively, looking for the silver lining beyond the present clouds.

It is clear that Pat is still not finished with his therapy; but the court, through a plea bargaining arrangement, has reduced the time that Pat is institutionalized. Refusing to take his meds, he is an accident waiting to happen, responding way out of proportion to life’s inevitable challenges. In one symptomatic scene, he wakes up his parents in the middle of the night asking if they know where his wedding video is. It is hilarious and sad at the same time.

Pat’s life begins to turn around when he meets Tiffany, a young widow who also has lost her job and shares a number of neuroses with Pat. It is a tumultuous relationship, but one that forces Pat to look at himself honestly and to begin to adjust to his new reality.

As his relationship with Tiffany deepens, his father does not understand the nature of their connection and how it is providing the necessary therapy for Pat’s recovery. His Dad only wants to spend time with his son to improve his rapport with him, but he does not know how to do it other than to watch football games together. In a powerful scene between father and son, Dad, with tears in eyes, wonders whether he did enough as a parent. Did he favor Pat’s brother? Did he give Pat enough love? Pat for once does not interrupt his father. He listens without comment, and then hugs him. It is an epiphany of love as they embrace and resolve to be closer in the days and weeks ahead.

Silver Linings Playbook is a serious meditation on human relationships. When these relationships are tested in the crucible of life experience, we sometimes realize that the best way to communicate is not through words, but through the language of the heart.

Purchase this movie from Amazon.com.

Bhaag Milkha Bhaag (2013), directed by Rakeysh Omprakash Mehra

Bhaag Milkha Bhaag posterIn my class of eighth graders, we read a story entitled ‘A Retrieved Reformation” by the celebrated short story writer O. Henry. It is about Jimmy Valentine, a career safe cracker who resolves to become an honest man after his release from prison. The students discussed Jimmy’s reformation making references to the seminal concept of repentance in Jewish law, even citing the semi-holiday of the Second Passover, which was observed by those who were legitimately prevented from observing the first. Bhaag Milkha Bhaag is an archetypal story of second chances, but set within the tumultuous landscape of Indian and Pakistani politics in the late 1940s.

The film opens in the 1960 Olympic Games in Rome, where Milkha, representing India, loses his race because of a backward glance down the final stretch of the race. Thus begins a flashback to Milkha’s own tortuous past in which he and his parents were separated because of a politically-motivated land division between India and Pakistan, leaving his parent’s property in a no man’s land between the two countries. Left alone, Milkha joins a local gang and steals in order to survive. This life of a brigand continues until, as a young man, he meets Biro, a beautiful Indian woman. He then resolves to turn over a new leaf in life and emerge an honest man, respected by Biro, his beloved, and by all men as well. She promises to wait for him until he transforms himself from thief to a respected man of position in society. Unfortunately while he is gone, Biro’s father marries off his daughter, against her will, to someone else, and Milkha’s dreams are shattered when he returns a few years later to ask her to marry him.

Time passes and Milkha ultimately finds himself in the Indian military.  It is there that his running skills are noticed and developed. Proverbs tells us the righteous fall many times, but they invariably rise again to meet the next challenge. This is the journey of Milkha who does not make excuses for failure, but rather admits his mistakes and resolves to try harder at his next effort.

An especially effective scene is one that takes place in the aftermath of a racing loss. He determines that he needs to be stronger and so runs over rough terrain with weights on his legs pulling a tire behind him. Indeed, Milkha travels a long and hard road to running success under the eye of watchful and caring coaches, and to eventual redemption as a human being. The end is truly uplifting. He is finally able to transcend his past and redefine himself as a person of worth.

Bhaag Milkha Bhaag is a vibrant narrative of a world class athlete who overcomes many obstacles to become a champion. What separates it from similar stories is the wildly colorful way it indirectly celebrates the Indian way of life, which depicts the reality of both the joy and sadness of living a full life, and making the most of the gifts God has given us.

The movie is close to three hours long but is never boring. We see Milkha as a child relating lovingly to his parents and sister, observing violence perpetrated on loved ones in his native community, witnessing horrific tragedies, and we see him staring death in the face. We also see him as an adult wooing a beautiful girl, dancing and singing with his fellow soldiers, and winning races that bring him fame and adulation. Such is life as seen from the perspective of maturity. It is filled with agonies and ecstasies, sadness and joy, mistakes and mid-course corrections as we struggle to survive and triumph in a complicated world.

Purchase this movie from Amazon.com.

Back to the Future (1985), directed by Robert Zemeckis

back to the future poster Time is relentless. Rational people understand that you cannot turn back the clock. Sometimes, however, there are moments in your youth when you summon up the strength or courage to do things that actually help you better navigate the future. Which is why I look back fondly at my foot race with John King in the sixth grade.

My neighborhood had changed because low income housing was built nearby and now my school’s population changed. Instead of attending a school with affluent, college-bound kids, I attended a school with many low achievers and discipline problems. Like many kids, I rose to the level of expectation of my teachers, who now viewed me as mediocre, instead of the academic star I was in my mother’s eyes. My self-esteem plummeted, even in gym class where I was overshadowed by some genuinely gifted athletes.

So it was a special day for me when I was pitted against John King, one of the tough and cool kids who smoked cigarettes in junior high school, in a 220 yard dash in my PE class. I was nervous, but on that day I was very fast and won the race. Winning did remarkable things for my self-esteem. I was who I was, but now I felt I could seriously compete against anyone in my school. I might not win every race, but I thought of myself as a potential winner and it did marvelous things for my ego.

That kind of personality transformation is at the heart of Back to the Future, an escapist fantasy of time travel, in which Marty McFly travels 30 years into the past and orchestrates the encounter in which his parents, George, a shy, bookish teenager, and Lorraine, meet and fall in love. Marty discovers that if his father becomes more assertive, Marty can alter his destiny and that of his parents as well.

The film opens in the home-laboratory of Dr. Emmett Brown, an eccentric scientist who prides himself on creating inventions, one of which is a time machine whose exterior is a DeLorean automobile. Through a series of improbable events, Marty jumps in the car to flee Libyan assassins and accidently is catapulted back to 1955, and that is when the adventure begins.

Marty meets his parents before they got married and realizes that unless he intervenes in their lives, they will not marry and he never will be born. The problem is that George McFly, Marty’s dad, is extremely introverted and devoid of self-esteem. He simply lacks the courage to ask Lorraine, Marty’s future mother, out on a date. Moreover, he is subject to the constant bullying of Biff Tannen, who often threatens him with violence. To complicate things, Marty’s mother as a teenager is infatuated with Marty rather than her destined husband, George. How everything is sorted out and how George and Lorraine finally meet and fall in love is the narrative arc of the film. In the end, we see that decisions and actions made as a youth can have profound implications for the rest of one’s life, especially in the life of George McFly.

Time is an eternal value in Jewish tradition, encapsulated in the maxim of The Ethics of the Fathers: “if not now, then when?” Everyday should be filled with achievement and spiritual growth, not procrastination. Furthermore, the Sages say that one should think that each day is potentially one’s last day. Therefore, one should think about how to conduct oneself every day of one’s life. Back to the Future reminds us that how we act today can influence our tomorrows. Therefore, let us be wise and make the decisions today that will enable us to have a successful future.

Purchase this movie from Amazon.com.